Equally happy on a Bond as he is a family film, Tony prides himself on being adaptable. All genres of film are equally challenging as is the marriage between tech and creativity.
Tony crafted the temp score for Sam Mendes and E.O.N. on the 23rd film in the franchise. He then worked for Thomas Newman on the final score. Tony also wrote and recorded source cues for the film.
Tony's favourite ever films to have worked on - The massive 2011 Fox Searchlight sleeper hit got a sequel in 2014. Tony worked on temp and final scores and contributed source music for director John Madden.
Tony is currently working on 20th Century Fox and Ridley Scott's latest sci-fi with a score by Harry Gregson-Williams. This is the third time Tony has worked with Harry and is also his third film for Ridley Scott.
TV and Feature Film Music Editing - Spotting, Temp Scores, Score Editing, Final Mixing and Deliveries as well as Composition.
One of only around a dozen music editors in the UK, Tony works at the highest level in the industry, constructing temp scores and helping out composers on some of the biggest UK and US films around today.
It would be impossible to do this job without being a musician. Tony graduated from the prestigious Tonmeister Music and Sound Recording course at Surrey University. He writes a load of music for libraries and also for the features he works on. He still plays trombone with his 9-piece soul band.
Tony is used to working either from his unique home studio, or in London and the film and recording studios, and indeed all around the world, from Stockholm to New York and Los Angeles.
"Everything will be alright in the end. If it is not alright, it is because we are not yet at the end" [The Best Exotic Marigold Hotel; 2011]