Tony’s Credits
Download Tony’s Latest Credit List as a PDF
(1998 to present)
- The Martian (supervising music editor) – composer Harry Gregson-Williams; director Ridley Scott (20th Century Fox)
- The Second Best Exotic Marigold Hotel (music editor & additional source music) – composer Thomas Newman; director John Madden (Fox Searchlight)
- Exodus: Gods & Kings (supervising music editor & additional source music) – composers Alberto Iglesias & Harry Gregson-Williams; director: Ridley Scott (20th Century Fox)
- Last Knights (temp music editor) – director: Kazuaki Kiriya
- The Two Faces of January (music editor) – composer Alberto Iglesias; director Hossein Amini (Working Title)
- Enchanted Kingdom 3D (temp music editor) – directors Patrick Morris & Neil Nightingale (BBC Earth)
- Cuban Fury (music editor & additional source music) – composer Daniel Pemberton; director James Griffiths (Big Talk)
- Mandela: Long Walk to Freedom (music editor) – composer Alex Heffes; director Justin Chadwick (The Weinstein Co.) **Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2014
- The Counselor (music editor) – composer Daniel Pemberton; director Ridley Scott (Fox 2000)
- Skyfall (music editor & additional source music) – composer Thomas Newman; director Sam Mendes (MGM) **Oscar nominated & BAFTA winning Best Original Score. Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2013
- Wrath of the Titans (additional music editor) – composer Javier Navarette; director Jonathan Liebesman (Warner Bros)
- Lay the Favorite (music editor & source music composer) – composer James Brett; director Stephen Frears (The Weinstein Co.)
- Arthur Christmas (music editor) – composer Harry Gregson-Williams; director Sarah Smith (Sony / Aardman)
- The Woman in Black (temp music editor) – composer Marco Beltrami; director James Watkins (CBS / Hammer)
- The Iron Lady (music editor) – composer Thomas Newman; director Phyllida Lloyd (Film 4 / Pathé)
- The Best Exotic Marigold Hotel (music editor & additional source music) – composer Thomas Newman; director John Madden (Fox Searchlight)
- The Moth Diaries (temp music editor) – director Mary Harron (Independent)
- X-Men: First Class (temp music editor) – composer Henry Jackman; director Matthew Vaughn (20th Century Fox)
- The Devil’s Double (music editor) – composer Christian Henson; director Lee Tamahori (Corsan)
- Burke & Hare (music editor) – composer Joby Talbot; director John Landis (Ealing)
- Tamara Drewe (music editor) – composer Alexandre Desplat; director Stephen Frears (Ruby Films / BBC Films)
- Jackboots on Whitehall (music editor) – composer Guy Michelmore; director Edward & Rory McHenry (Independent)
- The Cabin in the Woods (music editor) – composer David Julyan; director Drew Goddard (MGM) **Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2013
- St. Trinian’s 2: The Legend of Fritton’s Gold – composer Charlie Mole; director Olly Parker & Barnaby Thompson (Ealing)
- Agora (music editor) – composer Dario Marianelli; director Alejandro Amenábar (Mod Producciones)
- Creation (music editor) – composer Christopher Young; director Jon Amiel (Recorded Picture Company)
- Chéri (music editor) – composer Alexandre Desplat; director Stephen Frears (Miramax / Pathé)
- Mamma Mia! (supervising music editor) – composer Benny Andersson & Björn Ulvaeus; director Phyllida Lloyd (Universal) **Winner: Best Music Editing in a Musical Feature, MPSE Golden Reel Awards 2008, Los Angeles.
- Elizabeth: The Golden Age (music editor) – composer Craig Armstrong & A. R. Rahman; director Shekhar Kapur (Working Title / Universal)
- Closing the Ring (music editor) – composer Jeff Danna; director Richard Attenborough
- The Queen (music editor) – composer Alexandre Desplat; director Stephen Frears (Miramax / Pathé / Scott Rudin) **Oscar & BAFTA Nominated Best Score
- Driving Lessons (music editor & music consultant) – composer Clive Carroll & John Renbourne; director Jeremy Brock
- The Return (temp music editor) – composer Dario Marianelli; director Asif Kapadia (Focus Features)
- Alex Rider: Operation Stormbreaker (music editor) – composer Trevor Jones / Alan Parker; director Geoffrey Sax (MGM / The Weinstein Company)
- Tideland (music editor) – composer Mychael Danna & Jeff Danna; director Terry Gilliam
- The Constant Gardener (music editor) – composer Alberto Iglesias; director Fernando Meirelles (Focus Features) **Oscar & BAFTA Nominated Best Score. Nominated: Best Music Editing, MPSE Golden Reel Awards 2005
- Resident Evil: Apocalypse (music editor) – composer Jeff Danna; director Paul W.S. Anderson (Sony / Screen Gems) **The Academy of Canadian Cinema & Television: Genie Award Winner for Achievement in Sound Editing 2005
- Around the World in 80 Days (music editor) – composer Trevor Jones; director Frank Coraci, (Walden Media / Disney)
- Big Fish (scoring editor) – composer Danny Elfman; director Tim Burton (Columbia)
- Finding Neverland (scoring editor) – composer Jan A.P. Kaczmarek; director Marc Forster (Miramax) **Oscar Winner Best Score, BAFTA Nominated Best Score
- Sinbad: Legend of Seven Seas (additional music editor) – composer Harry Gregson-Williams (DreamWorks)
- If Only (music editor) – composer Adrian Johnston; director Gil Junger (Sony Pictures Entertainment)
- Shall We Dance (music editor for John Altman) – composer John Altman / Gabriel Yared; director Peter Chelsom (Miramax)
- What a Girl Wants (music editor) – composer Rupert Gregson-Williams; director Dennie Gordon (Warner Brothers)
- Below (scoring editor) – composer Greame Revell; director David Twohy (Dimension Films)
- Mystics (music editor) – composer Stephen Warbeck; director David Blair
- The Hours (music editor) – composer Philip Glass; director Stephen Daldry (Miramax / Paramount Pictures / Scott Rudin) **Oscar Nominated Best Score, BAFTA Winner Best Score.
- Iris (music editor) – composer James Horner; director Richard Eyre (BBC / Miramax)
- Lucky Break (music editor) – composer Anne Dudley; director Peter Cattaneo (Fragile Films / Film Four) **Nominated: Best Music Editing in a Musical Feature, MPSE Golden Reel Awards 2001
- High Heels & Low Lifes (music editor) – composer Charlie Mole; director Mel Smith (Fragile Films / Touchstone Pictures)
- Very Annie-Mary (assistant music editor) – composer Stephen Warbeck; director Sara Sugarman (Film Four / Dragon)
- Captain Corelli’s Mandolin (assistant music editor) – composer Stephen Warbeck; director John Madden (Working Title)
- The Monkey King a.k.a. The Lost Empire (music editor) – composer John Altman; director Peter MacDonald (Hallmark)
- Quills (music editor) – composer: Stephen Warbeck director Phillip Kaufman (Fox Searchlight)
- Purely Belter (music editor) – composer Michael Gibbs; director Mark Herman (Film Four)
- The Man Who Cried (assistant music editor) – composer Osvaldo Golijov; director Sally Potter (Working Title)
- Beautiful Joe (music editor) – composer John Altman; director Stephen Metcalf
- The Great Gatsby (music editor) – composer Carl Davis; director Robert Markowitz
- RKO 281 (assistant music editor) – composer John Altman; director Ben Ross
- Don Quixote (assistant music editor) – composer Richard Hartley; director Peter Yates
- Little Voice (assistant music editor) – composer John Altman; director Mark Herman
- Merlin (assistant music editor) – composer Trevor Jones; director Steve Barron
- Sliding Doors (assistant music editor, temp score only) – director Peter Howitt