Tony’s Credits

Download Tony’s Latest Credit List as a PDF

 

(1998 to present)

 

  • The Martian (supervising music editor) – composer Harry Gregson-Williams; director Ridley Scott (20th Century Fox)
  • The Second Best Exotic Marigold Hotel (music editor & additional source music) – composer Thomas Newman; director John Madden (Fox Searchlight)
  • Exodus: Gods & Kings (supervising music editor & additional source music) – composers Alberto Iglesias & Harry Gregson-Williams; director: Ridley Scott (20th Century Fox)
  • Last Knights (temp music editor) – director: Kazuaki Kiriya
  • The Two Faces of January (music editor) – composer Alberto Iglesias; director Hossein Amini (Working Title)
  • Enchanted Kingdom 3D (temp music editor) – directors Patrick Morris & Neil Nightingale (BBC Earth)
  • Cuban Fury (music editor & additional source music) – composer Daniel Pemberton; director James Griffiths (Big Talk)
  • Mandela: Long Walk to Freedom (music editor) – composer Alex Heffes; director Justin Chadwick (The Weinstein Co.)  **Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2014
  • The Counselor (music editor) – composer Daniel Pemberton; director Ridley Scott (Fox 2000)
  • Skyfall (music editor & additional source music) – composer Thomas Newman; director Sam Mendes (MGM) **Oscar nominated & BAFTA winning Best Original Score.  Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2013
  • Wrath of the Titans (additional music editor) – composer Javier Navarette; director Jonathan Liebesman (Warner Bros)
  • Lay the Favorite (music editor & source music composer) – composer James Brett; director Stephen Frears (The Weinstein Co.)
  • Arthur Christmas (music editor) – composer Harry Gregson-Williams; director Sarah Smith (Sony / Aardman)
  • The Woman in Black (temp music editor) – composer Marco Beltrami; director James Watkins (CBS / Hammer)
  • The Iron Lady (music editor) – composer Thomas Newman; director Phyllida Lloyd (Film 4 / Pathé)
  • The Best Exotic Marigold Hotel (music editor & additional source music) – composer Thomas Newman; director John Madden (Fox Searchlight)
  • The Moth Diaries (temp music editor) – director Mary Harron (Independent)
  • X-Men: First Class (temp music editor) – composer Henry Jackman; director Matthew Vaughn (20th Century Fox)
  • The Devil’s Double (music editor) – composer Christian Henson; director Lee Tamahori (Corsan)
  • Burke & Hare (music editor) – composer Joby Talbot; director John Landis (Ealing)
  • Tamara Drewe (music editor) – composer Alexandre Desplat; director Stephen Frears (Ruby Films / BBC Films)
  • Jackboots on Whitehall (music editor) – composer Guy Michelmore; director Edward & Rory McHenry (Independent)
  • The Cabin in the Woods (music editor) – composer David Julyan; director Drew Goddard (MGM)  **Nominated: Best Music Editing: Music in a Feature Film, MPSE Golden Reel Awards 2013
  • St. Trinian’s 2: The Legend of Fritton’s Gold – composer Charlie Mole; director Olly Parker & Barnaby Thompson (Ealing)
  • Agora (music editor) – composer Dario Marianelli; director Alejandro Amenábar (Mod Producciones)
  • Creation (music editor) – composer Christopher Young; director Jon Amiel (Recorded Picture Company)
  • Chéri (music editor) – composer Alexandre Desplat; director Stephen Frears (Miramax / Pathé)
  • Mamma Mia! (supervising music editor) – composer Benny Andersson & Björn Ulvaeus; director Phyllida Lloyd (Universal) **Winner: Best Music Editing in a Musical Feature, MPSE Golden Reel Awards 2008, Los Angeles.
  • Elizabeth: The Golden Age (music editor) – composer Craig Armstrong & A. R. Rahman; director Shekhar Kapur (Working Title / Universal)
  • Closing the Ring (music editor) – composer Jeff Danna; director Richard Attenborough
  • The Queen (music editor) – composer Alexandre Desplat; director Stephen Frears (Miramax / Pathé / Scott Rudin) **Oscar & BAFTA Nominated Best Score
  • Driving Lessons (music editor & music consultant) – composer Clive Carroll & John Renbourne; director Jeremy Brock
  • The Return (temp music editor) – composer Dario Marianelli; director Asif Kapadia (Focus Features)
  • Alex Rider: Operation Stormbreaker (music editor) – composer Trevor Jones / Alan Parker; director Geoffrey Sax (MGM / The Weinstein Company)
  • Tideland (music editor) – composer Mychael Danna & Jeff Danna; director Terry Gilliam
  • The Constant Gardener (music editor) – composer Alberto Iglesias; director Fernando Meirelles (Focus Features) **Oscar & BAFTA Nominated Best Score.  Nominated: Best Music Editing, MPSE Golden Reel Awards 2005
  • Resident Evil: Apocalypse (music editor) – composer Jeff Danna; director Paul W.S. Anderson (Sony / Screen Gems)  **The Academy of Canadian Cinema & Television: Genie Award Winner for Achievement in Sound Editing 2005
  • Around the World in 80 Days (music editor) – composer Trevor Jones; director Frank Coraci, (Walden Media / Disney)
  • Big Fish (scoring editor) – composer Danny Elfman; director Tim Burton (Columbia)
  • Finding Neverland (scoring editor) – composer Jan A.P. Kaczmarek; director Marc Forster (Miramax) **Oscar Winner Best Score, BAFTA Nominated Best Score
  • Sinbad: Legend of Seven Seas (additional music editor) – composer Harry Gregson-Williams (DreamWorks)
  • If Only (music editor) – composer Adrian Johnston; director Gil Junger (Sony Pictures Entertainment)
  • Shall We Dance (music editor for John Altman) – composer John Altman / Gabriel Yared; director Peter Chelsom (Miramax)
  • What a Girl Wants (music editor) – composer Rupert Gregson-Williams; director Dennie Gordon (Warner Brothers)
  • Below (scoring editor) – composer Greame Revell; director David Twohy (Dimension Films)
  • Mystics (music editor) – composer Stephen Warbeck; director David Blair
  • The Hours (music editor) – composer Philip Glass; director Stephen Daldry (Miramax / Paramount Pictures / Scott Rudin)  **Oscar Nominated Best Score, BAFTA Winner Best Score.
  • Iris (music editor) – composer James Horner; director Richard Eyre (BBC / Miramax)
  • Lucky Break (music editor) – composer Anne Dudley; director Peter Cattaneo (Fragile Films / Film Four) **Nominated: Best Music Editing in a Musical Feature, MPSE Golden Reel Awards 2001
  • High Heels & Low Lifes (music editor) – composer Charlie Mole; director Mel Smith (Fragile Films / Touchstone Pictures)
  • Very Annie-Mary (assistant music editor) – composer Stephen Warbeck; director Sara Sugarman (Film Four / Dragon)
  • Captain Corelli’s Mandolin (assistant music editor) – composer Stephen Warbeck; director John Madden (Working Title)
  • The Monkey King a.k.a. The Lost Empire (music editor) – composer John Altman; director Peter MacDonald (Hallmark)
  • Quills (music editor) – composer: Stephen Warbeck director Phillip Kaufman (Fox Searchlight)
  • Purely Belter (music editor) – composer Michael Gibbs; director Mark Herman (Film Four)
  • The Man Who Cried (assistant music editor) – composer Osvaldo Golijov; director Sally Potter (Working Title)
  • Beautiful Joe (music editor) – composer John Altman; director Stephen Metcalf
  • The Great Gatsby (music editor) – composer Carl Davis; director Robert Markowitz
  • RKO 281 (assistant music editor) – composer John Altman; director Ben Ross
  • Don Quixote (assistant music editor) – composer Richard Hartley; director Peter Yates
  • Little Voice (assistant music editor) – composer John Altman; director Mark Herman
  • Merlin (assistant music editor) – composer Trevor Jones; director Steve Barron
  • Sliding Doors (assistant music editor, temp score only) – director Peter Howitt